-
Asian stock markets rise, dollar dips as traders await US jobs
-
Britain's Harris Dickinson on John Lennon, directing and news overload
-
9 killed in Canada mass shooting that targeted school, residence
-
Wembanyama scores 40 as Spurs rout Lakers, Pacers stun Knicks
-
UK's crumbling canals threatened with collapse
-
Hong Kong convicts father of wanted activist over handling of funds
-
Australia charges two Chinese nationals with foreign interference
-
'Overloading' may have led to deadly Philippine ferry sinking
-
Bangladesh to vote on democratic reform charter
-
China coach warns of 'gap' ahead of Women's Asian Cup title defence
-
Glitzy Oscar nominees luncheon back one year after LA fires
-
Pacers outlast Knicks in overtime
-
9 killed in Canada mass shooting that targeted school, residence: police
-
De Zerbi leaves Marseille 'by mutual agreement'
-
Netanyahu to push Trump on Iran missiles in White House talks
-
England captain Stokes has surgery after being hit in face by ball
-
Rennie, Joseph lead running to become next All Blacks coach
-
Asian stock markets mixed as traders weigh US data, await jobs
-
Australian Olympic snowboarder airlifted to hospital with broken neck
-
Moderna says US refusing to review mRNA-based flu shot
-
'Artists of steel': Japanese swords forge new fanbase
-
New York model, carved in a basement, goes on display
-
Noisy humans harm birds and affect breeding success: study
-
More American women holding multiple jobs as high costs sting
-
Charcoal or solar panels? A tale of two Cubas
-
Genflow Biosciences PLC Announces Notice of GM
-
Tocvan Announces Restart Of Exploration Drilling At The Gran Pilar Project South Block
-
Corporate Treasury & Digital Infrastructure Note: The Active Management Divergence
-
Several wounded in clashes at Albania opposition rally
-
Chelsea's draw with Leeds 'bitter pill' for Rosenior
-
'On autopilot': US skate star Malinin nears more Olympic gold
-
Carrick frustrated by Man Utd's lack of sharpness in West Ham draw
-
Frank confident of keeping Spurs job despite Newcastle defeat
-
James's All-NBA streak ends as Lakers rule superstar out of Spurs clash
-
Anti-Khamenei slogans in Tehran on eve of revolution anniversary: social media footage
-
Colombian senator kidnapped, president targeted in election run-up
-
Britney Spears sells rights to her music catalog: US media
-
West Ham end Man Utd's winning run, Spurs sink to 16th
-
US skate star Malinin leads after short programme in Olympics
-
Man Utd's Sesko strikes late to rescue West Ham draw
-
Shiffrin flops at Winter Olympics as helmet row grows
-
Celtics' Tatum practices with G League team but injury return uncertain
-
Gisele Pelicot publishes memoirs after rape trial ordeal
-
Newcastle beat sorry Spurs to leave Frank on the brink
-
'Outrage' as LGBTQ Pride flag removed from Stonewall monument
-
Chappell Roan leaves agency headed by embattled 2028 Olympic chief
-
Venezuelan authorities move Machado ally to house arrest
-
YouTube rejects addiction claims in landmark social media trial
-
Google turns to century-long debt to build AI
-
'I felt guided by them': US skater Naumov remembers parents at Olympics
Arts duo Gilbert & George open permanent London exhibition space
Eccentric British art duo Gilbert & George will open their permanent exhibition space in London on Saturday, driven by an "art for all" ethos -- and a desire for immortality.
Located not far from their home and studio in the former working-class district of Spitalfields in London's East End, the converted 19th century building covers a total of 280 square metres over three levels.
The Gilbert & George Centre will host one to two exhibitions each year.
Its opening show will be "Paradisical Pictures", a London first which features the duo inhabiting "a disquieting vision of a heavenly place imagined as an enchanted forest or overgrown park".
Entrance is free, in line with the tweed-wearing pair's belief in accessible art.
"You don't have to be a specialist, you don't have to be rich, you can be poor or whatever you want to understand our art," Gilbert explained in a video presentation.
"It was very important that it was a human space, we don't like aggressively minimalist galleries and museums," chimed in George.
"We want it to feel part of life, it's also so that we can live forever, because everyone wants to live forever," he added.
"We're getting old, but we're living forever", joked Gilbert.
Gilbert Prousch, 79, and George Passmore, 81, met at Saint Martin's School of Art in 1967, and have been inseparable ever since, personally and professionally.
Much of their output consists of large-scale photos, often of themselves, drenched in glaring, super-saturated colours and dealing with far-from-neutral subjects such as sex, religion and ethnicity.
O.Johnson--AMWN