-
Marseille go top in Ligue 1 as Lens thrash Monaco
-
Fourteen-man South Africa fight back to beat France
-
Atletico, Villarreal win to keep pressure on Liga giants
-
Chelsea down Wolves to ease criticism of Maresca's rotation policy
-
England's Genge eager to face All Blacks after Fiji win
-
Wasteful Milan draw at Parma but level with Serie A leaders Napoli
-
Fire kills six at Turkish perfume warehouse
-
Djokovic pulls out of ATP Finals with shoulder injury
-
Rybakina outguns world No.1 Sabalenka to win WTA Finals
-
Norris survives a slip to seize Sao Paulo pole
-
Sunderland snap Arsenal's winning run in Premier League title twist
-
England see off Fiji to make it nine wins in a row
-
Australia connection gives Italy stunning win over Wallabies
-
Arsenal winning run ends in Sunderland draw, De Ligt rescues Man Utd
-
Griezmann double earns Atletico battling win over Levante
-
Title-leader Norris grabs Sao Paulo Grand Prix pole
-
Djokovic edges Musetti to win 101st career title in Athens
-
Rybakina downs world No.1 Sabalenka to win WTA Finals
-
McKenzie ends Scotland dream of first win over New Zealand
-
McKenzie stars as New Zealand inflict heartbreak upon Scotland
-
De Ligt rescues Man Utd in Spurs draw, Arsenal aim to extend lead
-
Kane saves Bayern but record streak ends at Union
-
Bolivia's new president takes over, inherits economic mess
-
Edwards set for Wolves job after Middlesbrough allow talks
-
COP30: Indigenous peoples vital to humanity's future, Brazilian minister tells AFP
-
Marquez wins Portuguese MotoGP sprint race
-
Saim, Abrar star in Pakistan's ODI series win over South Africa
-
Norris extends title lead in Sao Paulo GP sprint after Piastri spin
-
Man Utd have room to 'grow', says Amorim after Spurs setback
-
Tornado kills six, wrecks town in Brazil
-
Norris wins Sao Paulo GP sprint, Piastri spins out
-
Ireland scramble to scrappy win over Japan
-
De Ligt rescues draw for Man Utd after Tottenham turnaround
-
Israel identifies latest hostage body, as families await five more
-
England's Rai takes one-shot lead into Abu Dhabi final round
-
Tornado kills five, injures more than 400 in Brazil
-
UPS, FedEx ground MD-11 cargo planes after deadly crash
-
Luis Enrique not rushing to recruit despite key PSG trio's absence
-
Flick demands more Barca 'fight' amid injury crisis
-
Israel names latest hostage body, as families await five more
-
Title-chasing Evans cuts gap on Ogier at Rally Japan
-
Russian attack hits Ukraine energy infrastructure: Kyiv
-
Kagiyama tunes up for Olympics with NHK Trophy win
-
Indonesia probes student after nearly 100 hurt in school blasts
-
UPS grounds its MD-11 cargo planes after deadly crash
-
Taliban govt says Pakistan ceasefire to hold, despite talks failing
-
Trump says no US officials to attend G20 in South Africa
-
Philippines halts search for typhoon dead as huge new storm nears
-
Bucks launch NBA Cup title defense with win over Bulls
-
Chinese ship scouts deep-ocean floor in South Pacific
Italy's horror king seeks 'meaning' in schlock
Call girls in jeopardy, a serial killer on the loose, fountains of blood -- horror master Dario Argento has returned to filmmaking after a 10-year hiatus, saying Friday it's been his mission to bring "meaning" to schlock.
The Italian director who inspired generations of filmmakers including Quentin Tarantino premiered his latest thriller "Dark Glasses" co-starring his daughter Asia at the Berlin film festival.
Argento, 81, is known for dozens of gore-spattered flicks including 1977's legendary "Suspiria" about witches, dance and psychoanalysis in Cold War West Berlin.
The new movie, Argento's first since 2012's "Dracula 3D", tells the story of sex worker Diana who serves her sad sack clients in Rome with dignity and respect.
But when one arrives at her home stinking of the dogs he trains for a living, she sends him away to shower first -- a "humiliation" that enrages him.
Meanwhile a murderer is targeting prostitutes and Diana finds herself followed in her car by a speeding white van that runs her off the road.
The crash leaves her blind and a Chinese couple is fatally injured in the pile-up, while their young son Chin is in the back seat.
Diana is placed in the care of an advisor to the blind (Asia Argento) who provides her with a female seeing-eye dog, German shepherd Nerea, to guide and protect her.
Chin, now in a Catholic care home, runs away from the nuns and winds up on Diana's doorstep.
- 'The police do nothing' -
Diana, Chin and Nerea soon come under siege by the killer who wants to finish the job. They seek help from the ineffectual police but realise only they can save themselves.
Argento said many horror pictures by his imitators lacked "meaning" and that he was interested in a story of a woman who seeks her own justice when the authorities let her down.
Asked if he had been inspired by the #MeToo movement his daughter Asia helped spark, he said the film and her story were unrelated.
"This is nothing new," he told AFP.
"This has always happened -– women experience violence and go to the police and the police do nothing. It has nothing to do with #MeToo."
Asia Argento's revelations five years ago that she had been raped by the US producer Harvey Weinstein in 1997 at the age of 21 helped trigger the campaign by assault survivors.
An actress and director, Asia Argento's earliest screen appearances included roles in many of her father's productions.
Her autobiography last year depicted a wild but painful childhood in Rome, trapped with a neglectful father and violent mother.
The 46-year-old told reporters at the festival she was pleased to be back in front of her father's camera.
"Years have passed since our last movie so I could mature," she said.
"This is an Argento movie. Nobody can do an Argento movie like an Argento -- it is his fantasy world, his dream, his nightmares."
Although proud of his impact on global cinema, the director admitted he hadn't cared for the 2018 remake of "Suspiria" by Oscar-winning filmmaker Luca Guadagnino starring Dakota Johnson and Tilda Swinton.
"I didn't like 'Suspiria' at all, it was all wrong. The music was disgusting, there was no pathos," he said.
"There's no reason to remake the films -- they were made at that time and that's enough. The only reason would be for the money."
A.Mahlangu--AMWN