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US, China hail 'substantial progress' after trade talks in Geneva
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Blessings but not tips from Pope Leo at Peru diner
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Alcaraz, Zverev march into Italian Open last 16
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US and China hail 'progress' after trade talks end in Geneva
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Jeeno keeps cool to win LPGA's Americas Open
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Hamas to release hostage as part of direct Gaza talks with US
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Marvel's 'Thunderbolts*' retains top spot in N.America box office
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Forest owner Marinakis says Nuno row due to medical staff's error
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Inter beat Torino and downpour to move level with Napoli
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Trump urges Ukraine to accept talks with Russia
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Newcastle win top-five showdown with Chelsea, Arsenal rescue Liverpool draw
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Arsenal hit back to rescue valuable draw at Liverpool
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Barca edge Real Madrid in thriller to move to brink of Liga title
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Zverev cruises into Rome last 16, Sabalenka battles past Kenin
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Tonali sinks 10-man Chelsea as Newcastle win top five showdown
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Ukraine says will meet Russia for talks if it agrees to ceasefire
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India's worst-hit border town sees people return after ceasefire
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Pope Leo XIV warns of spectre of global war in first Sunday address
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Ukraine says will meet Russia for talks if Moscow agrees to ceasefire
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Erdogan says efforts to end Ukraine war at 'turning point'
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Pope Leo XIV calls for peace at St Peter's prayer
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Erotic thriller at Venice sees Nicole Kidman 'exposed'
Nicole Kidman said she felt "exposed and vulnerable" as erotic thriller "Babygirl" premiered at the Venice Film Festival Thursday, with the veteran actress pushing herself far from her comfort zone.
Kidman plays Romy, a high-powered New York CEO who embarks on a torrid, sado-masochistic affair with a new company intern, played by Harris Dickinson, risking her marriage to her husband (Antonio Banderas) and family life.
"This definitely leaves me exposed and vulnerable and frightened and all of those things when it's given to the world, but making it with these people here, it was delicate and intimate and very, very deep," Kidman told a press conference ahead of the premiere.
"Right now we're all a bit nervous."
One of 21 films in the main competition for the Golden Lion prize, "Babygirl" is the third film for Dutch director Halina Reijn, who also wrote the script.
The study of one woman's sexual desire, it also explores power relationships -- and turns some of them on their head in surprising ways.
The film manages to subvert the seemingly dated erotic genre, whose heyday in the 1980s and 90s produced films such as "Fatal Attraction", "Basic Instinct" and "9 1/2 Weeks".
"I'm very delighted to be able to make a film about female desire but it's also a film about a woman in an existential crisis and it has many layers," said Reijn.
That was the interest for Kidman, who in 1999 delved into the genre with her then-husband Tom Cruise in Stanley Kubrick's final film, "Eyes Wide Shut," similarly an in-depth look at sexuality and the human psyche.
"I want to examine human beings," Kidman said Friday.
"I want to examine women onscreen, I want to examine what it means to be human and in all facets of that and the labyrinth of that," she said.
Last year's Golden Lion award went to a film unabashedly exploring themes of self-identity and sexuality -- "Poor Creatures" from Greek director Yorgos Lanthimos.
In that feminist reworking of "Frankenstein," actress Emma Stone shattered the norms of Hollywood modesty in her portrayal of Bella, a sexually voracious reanimated corpse who lives unabashedly for pleasure.
- Changing ratios -
Kidman said "Babygirl" also fit her agenda to "put my weight behind a lot of women now in terms of directors, to try to change the ratio".
The gap between men and women directors in film festivals has narrowed in recent years amid more attention to gender parity, but women directors are still underrepresented.
This year, Reijn is one of seven women directors in the main competition of 21 films.
Having a woman at the helm of "Babygirl" was essential, said Kidman, 57.
"It's told by a woman through her gaze... that's to me what made it so unique because suddenly I was going to be in the hands of a woman with this material and it was very, very deep to be able to share those things and very freeing," Kidman said.
She acknowledged that she didn't worry too much about nudity.
"I will just completely abandon (myself) to the story, to the nature of the character I'm playing, so I don't think about bodies per se, I just think about how do we tell the story," Kidman said.
Ultimately, Reijn said the film is about the question: "Can I love myself in all my different layers?"
"And I hope it will function as a tribute to self-love and liberation."
Y.Aukaiv--AMWN