-
Medieval Europe and Africa collide in Sao Tome traditional theatre
-
Far-right AfD eyes huge win in east German state vote
-
Iran attacks US targets despite Trump threats
-
Brazil-Japan to play World Cup rematch at Singapore tournament
-
Alcaraz believes 'impossible' schedule raising injury threat
-
Defence chiefs back boosting US military presence in Australia
-
Alcaraz rallies to reach US Open third round, Sabalenka storms through
-
Nepal seeks climate justice after Himalayan disaster
-
Alcaraz overpowers Faria to reach US Open third round
-
Stocks rise, yields ease as oil slips on Trump hint at short bombing campaign
-
Hamilton hopes to boost title bid with record Italian triumph
-
Brussels Diamond League finals Day 1 - five events to watch
-
Iran, US trade threats after fresh strikes
-
Thailand's 'Jurassic Park' shines light on dinosaur evolution
-
US not 'stealing Venezuelan oil,' energy secretary insists
-
'Role model' Stokes set to open for Adelaide Strikers
-
Farming experts tout 'conscious' food systems to fix agriculture woes
-
Palau urges 'unified' Pacific response to China missile test
-
George Lucas unveils art galaxy at his new LA museum
-
Grinding away: in remote Appalachia, old mills fuel US clean food dreams
-
Veteran Wallaby Slipper targets fifth World Cup after Brumbies deal
-
Sabalenka races into US Open third round
-
Sabalenka storms into US Open third round as Pegula, Medvedev advance
-
Costa Rica Makes History as First Latin American Country to Launch English Learning as a National Initiative with Open English
-
Chinese lucky loser stuns Jodar at US Open
-
Zverev looks to improve after first-round scare
-
US Open under the influence: content creators spark debate
-
Raiders to start Cousins over top NFL Draft pick Mendoza
-
NBA hammers Clippers over Leonard salary cap violations
-
Palantir chief says France's digital sovereignty push 'backfiring'
-
NBA strips five first-round draft picks from Clippers for Leonard salary cap violations
-
US energy firms dominate Venezuela deals worth billions
-
Kane brace helps Bayern win German Cup opener
-
Iran, US trade threats after escalation in fighting
-
Migrant plight, local anger divide Ceuta one month after influx
-
US jury deadlocks again in Lindsay Clancy's child murder trial
-
Outrage as Maltese tycoon acquitted of reporter's murder
-
Lake America? No way, Canadians say
-
Rare train of Pacific cyclones fueled by historic El Nino
-
Spain report flags Moroccan police failings in Ceuta migrant rush
-
Macron, King Charles hail UK-France ties after viewing Bayeux Tapestry
-
Tech bosses press G20 to build data centers, but split on risk
-
Fury hits out at 'coward' Joshua as 'Battle of Britain' talks go on
-
Dolly Parton to get new Hollywood star after vandalism
-
Maltese tycoon acquitted of masterminding reporter's murder
-
Trump 'happy' Prince Harry and Meghan have left US
-
George Clooney: a Hollywood icon and campaigner
-
Michelson shocks Nakashima in US Open clash of rising Americans
-
Europe, US closer than they look on tech rules, says EU tech chief
-
Another body recovered after ferry capsizes off northern Cyprus: official
Games music composer with ambition to define an artform
Far from the bleep-driven video game soundtracks of yesteryear, French composer Olivier Deriviere is determined to help craft the audio sensation of a medium he believes is still finding a voice of its own.
Deriviere's twin passions for music and gaming have driven a career creating music for massive-selling games including Ubisoft's "Assassin's Creed", sometimes managing projects equal in scope to a film soundtrack.
"I think we need to get away from the reflex that we need to look at our 'big brother' cinema and say that we're going to do the same thing," Deriviere told AFP.
"If you compare what video games offer in artistic terms, it's vast compared to the cinema or theatre," he adds.
Deriviere's personal journey with games began very early in life.
"I've never left the house without a console since I was six years old," the 46-year-old says.
That passion has borne him up to creating music for one instalment in the massively popular "Assassin's Creed" series, or million-selling "A Plague Tale: Innocence", released by Asobo in 2019.
But his current project, "South of Midnight" by Canadian developer Compulsion Games is "my biggest creation yet," Deriviere says.
The tracks he plays back borrow their sound from the American South setting of the adventure game, set for release on April 8.
More than 100 recording sessions have gone into the work, split between Nashville in the US, London's legendary Abbey Road studios and the composer's own workspace in the Paris suburbs.
- 'Set off a revolution' -
Deriviere enjoyed "a musical childhood" growing up in Nice with his businessman father and choir-leader mother.
"When I was five years old, I was getting into U2 and Pink Floyd thanks to my dad, while my friends were listening to French songs," he remembered.
It was at the same time that he was first exposed to video games.
"The day someone first showed me a Commodore 64 moving a pixel around, it set off a revolution in my brain," Deriviere said.
He went as far as learning to code so that he could write music on the machine.
Deriviere struggled to find his niche, making false starts into several music and computing courses before securing a scholarship to the Berklee College of Music across the Atlantic in Boston.
A regular at the city's Symphonic Orchestra, he struck up a friendship with John Williams, writer of soundtracks to many Steven Spielberg movies and the "Star Wars" saga.
Deriviere says that the film legend became an "example" for him, teaching him to be patient.
Back in France, his first work on a game came with 2004's "Obscure", developed by a small studio.
Since then, he has worked on around 20 releases including the mega-blockbuster "Assassin's Creed" series.
"I got started in a tiny little room. A computer, two speakers and that was it," he remembered with a smile.
Now in demand from international developers, he employs six people in his 300-square-metre (3,200 square feet) studio).
- No substitute -
Percussion fan Deriviere clutches a pair of drumsticks as he wanders from the recording booths to the editing suites to keep up with multiple projects, some of which are still under wraps.
But in his spare minutes, he allows himself a few rounds of tennis game "Top Spin" in a room stuffed with consoles going back decades.
"I've always played, I've never stopped," the composer says.
For Deriviere, creating a piece of music has two stages: first writing a score, but then integrating it into the game to reflect the player's input.
The second task would normally be tackled by a game's music designer, rather than the composer.
But "I do both", Deriviere said. "Since I play video games, I understand this language and that's an advantage."
In "South of Midnight", Deriviere is attentive to the actions of protagonist Hazel, accompanied by a choir of girls' voices, as well as developing the tracks connected with the vast creatures that inhabit the game's universe.
He isn't a one-trick pony, having composed the music for 2023 horror movie "The Deep Dark" and for an episode of TV series "Star Wars: Visions", in another tie back to mentor Williams.
But linear film-making can't keep him away from the "unique experience" of games for long.
"It's up to us to bring new experiences to players," Deriviere said.
Y.Kobayashi--AMWN